Where were you introduced to the Frankenstein's Monster?
Was he "The Frankenstein's Monster", or was he the mononymous "Frankenstein"?
Was he "The Frankenstein's Monster", or was he the mononymous "Frankenstein"?
How has the Monster-- an archetype of modern-day "horror"-- evolved into a subject of commercialization?
Furthermore, what role does the deflation of "horror" as amusement play in our inception of idols?
Yongming Deng P. 7
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